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The views expressed on this website are mine alone and do not necessarily reflect those of deviantART or my employers.

Defining Pornography in Literature

Journal Entry: Wed Jun 25, 2008, 12:56 PM


Sometimes All I Ever Seem to Talk About is Sex

But then again pornography is one of our primary concerns.

For one, we are not a restricted access website so people of all ages are welcomed to browse here. I suspect that enough people out there are concerned with the level of nudity, violence and erotic content that we do allow without opening the door to outright pornography.

Secondly, we simply do not want to welcome that sort of content because doing so actually closes off many potential avenues which we might want to pursue in the future, not to mention that I don't think that it would be particularly healthy for the community in general.

So, porn is a problem and we try to be understanding when somebody clicks AGREE to the Submission Agreement, the Terms of Service and completely skips the necessary part where you have to actually read them.

Considering that No Pornography is clearly listed everywhere important a surprising number of people claim ignorance. Some of them get warnings, some get suspended, and others get banned- and just to show how serious we are on certain issues we even have our own contact with the FBI to report the really twisted stuff.

So, a large part of my time is spent educating and talking about the subject, not only to get people to stop submitting smut but also to get people to stop reporting everything with a naked person in it as "pornography" when it isn't officially considered to be such.

Over the last few years, several actually, we've focused at clarifying the Erotica vs Pornography argument in relation to visual imagery. This was primarily because visual imagery catches your attention immediately and it is therefore a higher priority to get that sort of thing squared away.

Perfecting the policy to deal with it was a long, drawn out process where we see-sawed back and forth over certain themes but the intention of the policy remained unchanged throughout all of those changes in wording.

Literature on the other hand gave me a problem.

Early on we realized that literature can't be treated exactly the same as visual art and photography; a restriction which works for the one and become a stranglehold for the other if it's applied too enthusiastically.

I also made the assumption early on that any reasonably intelligent person could infer the policy for literature by seeing what we prohibited for visual arts but that turned out to be incorrect as the reasonably intelligent people decided instead to take a firm stance and refuse to infer anything and insist on being specifically told so they wouldn't unnecessarily restrict themselves.

So it was long overdue by the time ^GeneratingHype contacted me in the middle of May to fill me in on the discussion which was going on between the various volunteers over in Artist Relations. It was a long note and it served to show me how badly we needed to have an official word on the subject.

So after much thought and deliberation we have a News Article addressing the matter.

No doubt that people will be confused on the matter, either honestly or purposefully in the hope that it'll be changed or pulled completely but that's just all part of the educational process and the fact of the matter is that not everyone can be pleased simultaneously and the purpose of the policy isn't supposed to do that in the first place.

Wander over there and read it and open a dialog here if you'd like.

  • Mood: Content

Moderation

Journal Entry: Fri May 16, 2008, 7:47 AM


Nearly 50,000

Well the new Moderation system has been active for twenty-nine days so far and we are already creeping up to 42,000 cases having been filed; that's a little over 1400 cases filed every single day since the launch.

So far it appears that reports of misplaced deviations is about the same, reports of art theft have probably increased and reports of things in need of a mature content tag or which contain prohibited content have remained about the same.

But what I actually want to bring up for this journal concerns one of the types of prohibited content; namely "pornography".

Now it seems that prior to the new system launch people would report all sorts of things as "pornography" even if they did not meet the currently definition which is in use right now. Without the option to receive feedback on their report it appears many people convinced themselves that the reported work stayed up because we were all simply far too overworked to have gotten to their report when the fact of the matter is that what they reported was simply ruled not to be a violation.

Now that the new system includes a couple of types of feedback, a note to reporters and the option to see whether or not something was reported incorrectly in the past, a few people are becoming upset.

I can think of a couple of names off the top of my head, but one person in particular has been particularly vocal and has unfortunately taken to exaggeration, misquoting, and generally giving out skewed versions of private conversations in an attempt to stir up mob reaction.

Rather than attempt to correct every single misquote or exaggeration I will simply clarify the situation here so that it will be conveniently in one location.

Can It Be Everyone Happy Time Naow?
Disclaimer

The policies which I am about to explain are not intended to please everyone, cater to everyone's personal beliefs or opinions and may in fact seem unfair to various people for various reasons which are all entirely different.

Thankfully the policy is not intended to do any of this and will never be able to do any of this.

The intention of the policy is to draw a line in the sand and declare that everything on one side will be deemed unacceptable and everything on the other is acceptable. If this seems arbitrary or unfair then you may actually be correct, however any policy such as this will be the result of certain arbitrary choices.

Regardless of whether or not you agree with where the line has been drawn or why the policy stands and no amount of bellyaching, complaining or mob action will result in the policy being rewritten to suit your personal tastes.

Background

deviantART has an Artistic Nude Gallery as well as a Fetish Gallery. We've had them for years and the mere presence of both of these galleries means that we tolerate and welcome a certain level of erotica.

Now the policy governing these types of works has changed slightly from year to year (but not recently) as we've refined things after listening to community input from both sides of the issue as well as legal advice and the opinions of certain core staff members.

At the very beginning there were some minor attempts at forcing any sort of nude photograph to conform to an artistic minimum but that was abandoned after a time as unworkable. For one we did not enforce "quality standards" anywhere else on the site and it made no sense to do it in just two galleries but not the other thousand plus areas which make up the gallery structure.

The FAQ attempting to explain the boundary has also been rewritten several times; not because of changes to the policy but rather to make it less grey and less open to reinterpretation. Currently the FAQ is as specific as possible without listing hundreds or thousands of distinct scenarios covering every possible situation; going into that sort of painful detail is never productive and is in fact useless because you can never cover everything so accept that it will continue to contain a little grey area to keep things simple.

The Policy

The purpose of the policy is, as I stated already, to draw a dividing line of judgment and to remove as much grey area from the decision making process as possible.

I should point out here that the decision making process involves a qualified and trained member of staff. Your personal interpretation of the policy is not a factor in the decision regardless of how personally offended you might be.

That's just the way it is; policy cannot flip flop back and forth depending on who is whining the loudest at the time because policy must be as consistent as possible, and regardless of what complaints you may hear the enforcement of this particular policy is as consistent as humanly possible.

As I stated previously deviantART allows a certain level of erotica; pinups, nudes, fetish, etc.
The difference between erotica and pornography is that pornography has the objective of showing you sexually explicit scenes in some manner while erotica does not.

Our policy seeks to define what we officially consider to be sexually explicit.

I know that some of you look towards a definition which includes "exploitive" or "degrading" or "intent of the artist" and similar subjective opinions.

Our policy does not rely upon subjective opinion but rather the work itself. The reason for this is that by introducing subjectivity you cannot hold a consistent standard against to judge something.

The policy must be objective and neutral and a policy judgment must be made after looking at the work as a whole with subjectivity and personal opinion removed.

The Breakdown

Firstly bear in mind that these are general clarifications written without example works in mind; since all judgments are made after an examination of the work in question the outcome can vary case-by-case depending on exactly what the work presents.


FAQ #565: You prohibit the submission of 'pornographic material'; what do you consider this to be?

The portions which seem to be most often misinterpreted are;

• Masturbation
Hands should not come into contact with genitalia in a manner which is clearly a display of fondling or masturbation.


Notice the phrase "clearly a display". I trust that I do not have to painstakingly explain the mechanics of masturbation to you people. Needless to say placing your hand near your genitals is not "masturbation", neither is covering yourself with your hands, etc.
The question you need to ask is "does this clearly and without a doubt show somebody masturbating?". "Implied" doesn't cut it here and neither does "Suggestive" because it's a "Yes or No" answer.

• Sexual Intercourse.
Subjects should not be positioned in a manner which is clearly a display of sexual intercourse. This can include depictions of sexual penetration, genital to genital contact, genital to anal contact, oral to genital contact, oral to breast contact or oral to anal contact.


Notice that the qualifier here is "can include". There are exceptions which can and do occur and while this line is supposed to make that clear I suppose it falls a bit short of that. I will edit this line in an attempt to clarify it further.

• Vaginal or Anal Spreading
Female subjects should not be depicted with their vagina spread or opened by hand or manipulated open by any other artificial means. Neither sex should show the anus opened in a similar fashion.


I had though this one was fairly clear but evidently it is still open to misinterpretation. This is intended to address the vaginal area or anus being manually spread open by hand, or clamps, or some other clearly artificial method. Opening ones legs or bending over or doing some sort of bizarre yoga move doesn't count. I will edit this description slightly in attempt to eliminate the ability for this section to be misinterpreted.

Summary

So essentially erotic photography and artwork has a place here, pornography does not and we have set the official line between erotica and pornography at the place where we believe allows for the greatest leeway for people in that genre while excluding explicit sexual works.

The policy obviously doesn't please everyone; some people want more room and some people want more restrictions and censorship but the point is that the policy was never intended to please everyone, is incapable of pleasing everyone and we aren't even going to make that attempt.

Whether you approve or not the line has been drawn where it is and it is as close to being set in stone as things get around here.


  • Mood: Content

Orphan Works Act of 2008 (part 2)

Journal Entry: Fri May 9, 2008, 11:45 AM


7 May, 2008


The House Intellectual Property Subcommittee held a meeting on H.R. 5889 on Wednesday. If you don't recognize the title you may know it as The Orphan Works Act of 2008.

If you don't quite know what I'm talking about you can go to The Journal I Wrote Yesterday. If you manage to read through the entire thing then you deserve some sort of merit badge or something.

Today I tracked down the Video Webcast (Realplayer) of the hearing and sat through the entire 47 minutes and 35 seconds to get a good idea of where the lawmakers stand on the issue, because quite frankly the opposition to this bill is painting them as a bunch of hideous demons who want to legalize art theft.

Personally I never rely on what I'm told when I can go and see it for myself; you get a cleaner copy of the data that way.

I have to say that after watching the hearing I'm even less concerned than I was previously, and I wasn't all that concerned in the first place.

If you actually watch the webcast, at around the four minute mark the chairman actually states that their primary concern is protecting the "smaller, less organized copyright owners" and then goes on to describe you, me, and just about every other member of this community.

The entire hearing almost entirely revolves around how to adequately protect all of us, how to ensure that owners are fairly compensated for use and how to ensure that the search criteria is diligent enough that someone cannot get away with misusing it.

I'm tempted to try to paraphrase the hearing here, but honestly I think the best thing I can do is to tell you that if you are still greatly concerned about the bill you should watch the video.

I can speak more in detail about it a little bit later if there's enough demand for it but for now I have too many restraints on my time today.


  • Mood: Content

The Orphan Works Act of 2008 (tl;dr)

Journal Entry: Thu May 8, 2008, 2:15 PM


Background

A couple of weeks ago we observed something of a panic over the Orphan Works Act of 2006; despite the fact that the bill had been dead since September of 2006 there has been a lot of scare tactic fear-mongering being disseminated in an attempt to panic people into supporting a massive campaign against any possible future bill which might be introduced again.

Well, on 24 April the Orphan Works Act of 2008 was introduced to both the U.S. House and Senate. Since the same alarmist articles are starting up again I’d like to take the opportunity to write a journal with the facts on the matter; no exaggeration, no spin doctoring, no deliberate misinterpretations and above all no deliberate attempts to scare you onto one side or the other.

Orphan Works

Orphan works legislation is an issue of growing interest in Congress and among copyright owners and copyright users. Legislation was originally introduced in 2006, but did not advance to enactment. That legislation was entitled the Orphan Works Act of 2006, or H.R. 5439. The latest version of the legislation, the Orphan Works Act of 2008, is based upon the 2006 version with some significant changes.

First let’s define what an “orphan work” actually is, because a lot of the exaggerated information out there defines it either poorly or completely incorrectly.

An orphan work is NOT:

• A public domain work.

• A copyrighted work whose owner(s) or exclusive licensor(s) decline to license or sell their works for any price. (You were asked and deliberately said “No" ).

• A copyrighted work whose owner(s) or exclusive licensor(s) offer to license or sell their work to you for a price you are unwilling to pay (You were willing to license but they wouldn’t meet your price).

• A copyrighted work whose owner(s) you are unwilling to look for.

• A copyrighted work with little or no ownership information attached to it, such as a photographic negative or textile (not having your name on it doesn’t automatically make it an orphan work).

• A copyrighted work for which a statutory license is available, such as Section 115 of the Copyright Act, usually referred to as a compulsory mechanical license (Don’t worry about this one as it probably will never apply to you anyway).



Orphan works are copyrighted works whose owners cannot be located.

There is currently no statutory definition in the U.S. setting any standard for an orphan work and the proposed orphan works legislation would not create any statutory definition of the term "orphan works." The term “orphan works” is used to describe the policy issue and the legislation, but this definition would not be included in U.S. Code.

The orphan works problem is very real and it was created by a combination of factors.

For one copyright protection periods have been extended several times, currently your work is considered protected for your entire lifetime and for 70 years after your death and with an average term lasting well over a century that’s a lot of time to lose track of who might own something.

There is also the concern that a lot of the media that you are using to create many of these works won’t even outlast the duration of it's copyright in the first place.

We also have to realize that the actual copyright registration system is probably in need of an update or overhaul to make it more relevant to the realities of today.

These issues have to be addressed if we’re going to get a real solution to these problems.

International

Activity and debate on orphan works is not limited to the United States. A variety of countries have orphan work like provisions in effect today and other countries are considering orphan works provisions similar to the legislation in the United States.

Canada has an existing orphan works process already up and running. It is significantly different from recent discussions in the U.S. and the UK since it requires a formal application in advance of usage to the Copyright Board of Canada. The application is to obtain a limited license for uses that are pre-identified by the user. The Copyright Board of Canada determines an advance royalty to be paid by the user prior to use. The royalty is held in escrow by the Board. As of February 2008, there were 217 approved uses of orphan works.

In the United Kingdom the Gowers Review of Intellectual Property included a section on the orphan works issue. A report on orphan works was requested from the British Screen Advisory Council.

Finally the European Union High Level Expert Group on Digital Libraries presented an advisory report on copyright issues to the European Commission which included a section on orphan works.

Concerns

Regardless of who is discussing it the orphan works issues tend to address the same types of concerns;

What type of system to use is a common and valid concern, Canada already has a use-by-use system while others are considering a blanket approach as an option. There are also concerns about whether or not to limit it to certain types of works only and whether or not a statement or notice should be part of the process and if so who the notice should be filed with.

The search for the owner itself is also a primary concern; a standard needs to be created for what is or is not a “reasonable search”. Also should the search be more intensive if the proposed use is commercial and also what sort of evidence needs to be compiled as proof of what you’ve done and should the evidence and a statement be filed with any specific agency.

As for the search itself we would have to determine if a database should be created in order to assist in the searching and whether or not the technology even exists to make such a search feasible rather than a nightmarish task. Another concern is whether the Copyright Office should maintain any proposed database or whether the private sector should be let in on it and if they are what sort of certification process should be required.

There is also debate over accreditation or recognition if you have some information about the owner but were still unable to locate them.

There is also room for debate as to whether or not to allow only for non-commercial uses, or whether to limit use in any other fashion or to provide prohibitions for certain types of ‘ potentially objectionable ’ uses and if so who should be the one setting the definitions for that.

Finally there are concerns as to whether or not advance compensation should be required as is done currently in Canada and if advance payment is required the act would have to determine who should get the money if no owner ever appears to claim it. And we can’t forget to determine who would set the amount of compensation, whether or not the owner should still have the ability to stop the use despite the payment, what to do if the orphan use violates an existing exclusive use and what would happen if the owner wanted more money than the user was willing to pay.

In short there are a lot of concerns and a lot of approaches and now that we’ve outlined them a bit lets talk about the bills which were just recently introduced into Congress.


The Senate Bill


pdf of S. 2913

S. 2913, the Orphan Works Act of 2008, was introduced on April 24, 2008 by current Senate Judiciary Committee Chairman Patrick Leahy of Vermont and former Senate Judiciary Committee Chairman Orrin Hatch. The language and approach of S. 2913 is closely based upon the language in the previous bill.

Like H.R. 5439 (The dead orphan works bill which caused the recent panic) from 2006, the 2008 legislation allows for a limitation on remedies, i.e. no statutory damages or attorneys fees, to be imposed against the user of a copyrighted work if the following is true:

• The user undertook a qualifying search (called a reasonably diligent, good faith search in 2006) to locate the owner and could not find him or her.

• The user identified the owner as much as possible when using the work (such as listing the initials of the photographer if they were on the back of the original print).

• With some exceptions for ongoing uses, stopping use of the work if the owner reappears and says “stop”.

• The user acted in good faith in searching for and negotiating with the owner.

• Paying back royalties for the use on a “willing seller, willing buyer” standard if the use was commercial in nature for certain categories of uses.

Unlike H.R. 5439 from 2006, the 2008 legislation includes the following:

• A study of the copyright registration deposit system by the General Accountability Office (GAO).

• A requirement that uses of orphan works be identified with a special symbol to be created by the Copyright Office.



The House Bill


pdf of H.R. 5889

H.R. 5889, the Orphan Works Act of 2008, was introduced by House Judiciary Committee Intellectual Property Subcommittee Chairman Berman of California, full Judiciary Committee Ranking Member Lamar Smith of Texas, and Intellectual Property Subcommittee Ranking Member Howard Coble of North Carolina on April 24, 2008. The language and approach of H.R. 5889 is based upon the language of the previous bill but differs more greatly than the Senate bill and addresses more of the concerns expressed by the creative community..

Like H.R. 5439 from 2006, the 2008 legislation allows for a limitation on remedies, i.e. no statutory damages or attorneys fees, to be imposed against the user of a copyrighted work if the following is true:

• The user undertook a qualifying search (called a reasonably diligent, good faith search in 2006) to locate the owner and could not find him or her.

• The user identified the owner as much as possible when using the work (such as listing the initials of the photographer if they were on the back of the original print).

• With some exceptions for ongoing uses, stopping use of the work if the owner reappears and says “stop”.

• The user acted in good faith in searching for and negotiating with the owner.

• Paying back royalties for the use on a “willing seller, willing buyer” standard if the use was commercial in nature for certain categories of uses.

Unlike H.R. 5439 from 2006, the 2008 legislation includes the following:

• A delayed effective date until the earlier of 2013 or the date on which the Register of Copyrights (currently Marybeth Peters) certifies two databases that can be used to search for pictorial, graphic, and sculptural works (not in the Senate version).

• A study of the copyright registration deposit system by the General Accountability Office (GAO).

• A requirement for users to file an advance notice of use with the Copyright Office (not in the Senate version).

• A requirement that uses of orphan works be identified with a special symbol to be created by the Copyright Office.

• Allowing a judge to award extra compensation if a work was registered (not in the Senate version).


Conclusions


Now if you’ve taken the time to actually read though this information you will see that the Orphan Works Act of 2008 does not propose to strip away every copyright which ever existed, it doesn’t legalize art theft and it does not seek to deny you any compensation or moneys for the use of your work.

It is, in my opinion, a fair and balanced approach to a current problem. It’s not a perfect system because the way copyright registration currently works doesn’t allow for the easy search of any owner and people will undoubtedly continue to find flaws and shortcomings in it as it begins the long trek through Congress once again.

However it is some of the better copyright legislation to wind its way through the halls of Congress over the last couple of decades and I personally do not have a problem with it as it’s language and intent is very much similar to Fair Use and I do not believe that the nightmare-like scenarios being pandered about as inescapable consequences will actually happen. If the bill continues on the course set by the House version there will most likely be enough legal grey area to scare off most people from attempting to use orphan works and in any event the bill still faces strong opposition from some quarters and I’m slightly doubtful on the bill’s chances on this second time through the legal system.

So we all can wait and watch and all that I ask is that you all take the time to at least educate yourself on the facts before you continue to disseminate fear-mongering interviews and articles amongst yourselves.

If you are going to choose to oppose or support anything base your position on the facts.


  • Mood: Content

Online Predators

Journal Entry: Thu May 8, 2008, 1:43 PM


Internet Creeps

So as I said in my last journal I've carried concerns about online predators and pedophiles and such around with me for awhile, you can't help but see it occasionally in the news as various social networking websites get crucified in the press for being "havens for child molesters" and such.

Earlier this year I sat down and started doing actual research into how these individuals operate.

I dug around and managed to find some good scientific research on the subject, not just the hyped up and alarmist news pieces you can find on a casual web search. If all you've ever read is news stories you'd probably be surprised at the actual truth of the matter.

I assume that most people have the same general impression that I had before I read into the subject; the press-induced idea of some fat old guy with a nasty beard pretending to be fourteen so they can weasel out personal info from your kids, track them down in real life and do unspeakable things to them. Scary stuff when you're a parent.

When you scratch off the news Story veneer you see something different.

Statistics compiled by the Crimes against Children Research Center and presented by their director during a Congressional Caucus on the subject paints a slightly different picture from the impression you'd get from the news.

As it turns out, the predominant online sex crime victim is not a young child but rather a teenager over the age of thirteen (13), or in other words kids who've already hit puberty. I would wager that most parents fear for their younger kids and actually get more comfortable as their children get into their teens; a situation which actually calls for a bit more concern, not less when you consider online predators.

Another big surprise is that violence only makes up as little as five percent of sex crimes involving the internet and actual abduction makes up even less at only three percent. So essentially the sample showed that very few online predators show up to kidnap or sexually attack their victims.

As far as the picture of some nasty badguy pretending to be much younger online? The sample shows that only about five percent used deception as a part of their crime; most didn't misstate their age by very much and most didn't pretend to be any other age but their actual one.

As it turns out about 80% of the offenders in the study were quite explicit about their intentions and age. Essentially they were up front and open about how old they were and the fact that they were looking for a sexual encounter with young teenagers.

It also turns out that seventy-three percent of the victims actually cooperated with the offender and often met with them on multiple occasions.

I found that to be the opposite of what news reports had led me to expect.

Going into this research I didn't have a clue about the best way to make deviantART an undesirable destination for these creepy individuals but after I reviewed the actual data and case studies it was a completely different situation from what I had thought we'd be addressing.

As it turns out what puts children at risk for receiving the more serious kinds of sexual solicitation online is not revealing personal information or having a blog or visiting a website or chat room but rather what puts them at the most risk is a willingness to talk about sex online with strangers or having a pattern of multiple risky activities on the web such as visiting sex sites, sexually oriented chat rooms, or initiating sexual discussions with strangers.

In this respect it appears we've been making deviantART an undesirable location for these people for a very long time now.

I posted a News Article Today which outlines the very small changes that were necessary for us to optimize optimize our efforts in this area.


  • Mood: Content